Holocaust poetry: awkward poetics in the work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes
Rowland, AC 2005, Holocaust poetry: awkward poetics in the work of Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes , Edinburgh University Press, Edinburgh, UK.Full text not available from this repository.
Under the umbrella term 'Holocaust poetry', this book argues that distinctions need to be made between the writing of Holocaust survivors and those who were not involved in the events of 1933 to 1945. This study focuses on the post-Holocaust writers Sylvia Plath, Geoffrey Hill, Tony Harrison and Ted Hughes, while also stressing the links between them and the Holocaust poetry of Paul Celan, Miklós Radnóti, Primo Levi and János Pilinszky. Developing his theory of 'awkwardness' Antony Rowland argues that post-Holocaust poetry can play an important part in our understanding of Holocaust writing by stressing its self-conscious, imaginative engagement with the Holocaust, as well as the literature of survivors. The book illustrates that 'awkward' poetics enable post-Holocaust poets to provide ethical responses to history, and avoid aesthetic prurience. This probing and sensitive reassessment of Holocaust-related poetry will appeal to academics and students working in the areas of Holocaust Studies, contemporary poetry, and twentieth-century literature in general.
|Themes:||Subjects / Themes > P Language and Literature > PR English literature
Subjects / Themes > D History General and Old World > D History (General) > D731 World War II
Memory, Text and Place
|Schools:||Schools > School of Humanities, Languages & Social Sciences > Centre for English Literature and Language
Schools > School of Humanities, Languages & Social Sciences
|Publisher:||Edinburgh University Press|
|Depositing User:||H Kenna|
|Date Deposited:||05 Feb 2009 15:39|
|Last Modified:||30 Nov 2015 23:39|
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