Cinematic and aesthetic cartographies of subjective mutation
Goddard, MN 2011, 'Cinematic and aesthetic cartographies of subjective mutation' , Subjectivity . (Submitted)
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This article exmaines the use of cinema as a mapping of subjective mutation in the work of Deleuze, Gauttari and Berardi. Drawing on Deleuze's distinciton between the reduction of the art-work to the symptom and the idea of art as symptomatology, the article focuses on Berardi's use of cinematic examples, posing the quesiton in each case of to what extent they function as symptomatologies or mere symptoms of cultural and subjective mutations in examples ranging from Bergman's Persona to Van Sant's Elephant to finish on speculations about Fincher's The Social Network as a cirtical engagement with subjective mutation in the 21st Century.
|Themes:||Subjects / Themes > N Fine Arts > NX Arts in general|
Subjects outside of the University Themes
|Schools:||Colleges and Schools > College of Arts & Social Sciences > School of Arts & Media > Communication, Cultural & Media Studies Research Centre|
Colleges and Schools > College of Arts & Social Sciences
Colleges and Schools > College of Arts & Social Sciences > School of Arts & Media
|Journal or Publication Title:||Subjectivity|
|Depositing User:||MN Goddard|
|Date Deposited:||14 Oct 2011 16:17|
|Last Modified:||10 Jul 2014 11:43|
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- Cinematic and aesthetic cartographies of subjective mutation. (deposited 26 Nov 2010 13:58)
- Cinematic and aesthetic cartographies of subjective mutation. (deposited 14 Oct 2011 16:17)[Currently Displayed]
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