Skip to the content

Cinematic and aesthetic cartographies of subjective mutation

Goddard, MN 2011, 'Cinematic and aesthetic cartographies of subjective mutation' , Subjectivity . (Submitted)

This is the latest version of this item.

[img]
Preview
PDF - Submitted Version
Download (79kB) | Preview
[img] Microsoft Word - Submitted Version
Restricted to Repository staff only

Download (181kB)

Abstract

This article exmaines the use of cinema as a mapping of subjective mutation in the work of Deleuze, Gauttari and Berardi. Drawing on Deleuze's distinciton between the reduction of the art-work to the symptom and the idea of art as symptomatology, the article focuses on Berardi's use of cinematic examples, posing the quesiton in each case of to what extent they function as symptomatologies or mere symptoms of cultural and subjective mutations in examples ranging from Bergman's Persona to Van Sant's Elephant to finish on speculations about Fincher's The Social Network as a cirtical engagement with subjective mutation in the 21st Century.

Item Type: Article
Themes: Subjects / Themes > N Fine Arts > NX Arts in general
Subjects outside of the University Themes
Schools: Colleges and Schools > College of Arts & Social Sciences > School of Arts & Media > Communication, Cultural & Media Studies Research Centre
Colleges and Schools > College of Arts & Social Sciences
Colleges and Schools > College of Arts & Social Sciences > School of Arts & Media
Journal or Publication Title: Subjectivity
Publisher: Palgrave Macmillan
Refereed: No
ISSN: 1755-6341
Depositing User: MN Goddard
Date Deposited: 14 Oct 2011 15:17
Last Modified: 10 Jul 2014 10:43
URI: http://usir.salford.ac.uk/id/eprint/18389

Available Versions of this Item

Actions (login required)

Edit record (repository staff only) Edit record (repository staff only)

Downloads

Downloads per month over past year