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Cinematic and aesthetic cartographies of subjective mutation

Goddard, MN 2011, 'Cinematic and aesthetic cartographies of subjective mutation' , Subjectivity . (Submitted)

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      Abstract

      This article exmaines the use of cinema as a mapping of subjective mutation in the work of Deleuze, Gauttari and Berardi. Drawing on Deleuze's distinciton between the reduction of the art-work to the symptom and the idea of art as symptomatology, the article focuses on Berardi's use of cinematic examples, posing the quesiton in each case of to what extent they function as symptomatologies or mere symptoms of cultural and subjective mutations in examples ranging from Bergman's Persona to Van Sant's Elephant to finish on speculations about Fincher's The Social Network as a cirtical engagement with subjective mutation in the 21st Century.

      Item Type: Article
      Themes: Subjects / Themes > N Fine Arts > NX Arts in general
      Subjects outside of the University Themes
      Schools: Colleges and Schools > College of Arts & Social Sciences > School of Arts & Media > Communication, Cultural & Media Studies Research Centre
      Colleges and Schools > College of Arts & Social Sciences
      Colleges and Schools > College of Arts & Social Sciences > School of Arts & Media
      Journal or Publication Title: Subjectivity
      Publisher: Palgrave Macmillan
      Refereed: No
      ISSN: 1755-6341
      Depositing User: MN Goddard
      Date Deposited: 14 Oct 2011 16:17
      Last Modified: 10 Jul 2014 11:43
      URI: http://usir.salford.ac.uk/id/eprint/18389

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