The polaroid image as photo-object
Buse, P 2010, 'The polaroid image as photo-object' , Journal of Visual Culture, 9 (2) , pp. 189-208.
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This article is part of a larger project on the cultural history of Polaroid photography and draws on research done at the Polaroid Corporate archive at Harvard and at the Polaroid company itself. It identifies two cultural practices engendered by Polaroid photography, which, at the point of its extinction, has briefly flared into visibility again. It argues that these practices are mistaken as novel but are in fact rediscoveries of practices that stretch back as many as five decades. The first section identifies Polaroid image-making as a photographic equivalent of what Tom Gunning calls the ‘cinema of attractions’. That is, the emphasis in its use is on the display of photographic technologies rather than the resultant image. Equally, the common practice, in both fine art and vernacular circles, of making composite pictures with Polaroid prints, draws attention from image content and redirects it to the photo as object.
|Themes:||Media, Digital Technology and the Creative Economy|
Memory, Text and Place
|Schools:||Colleges and Schools > College of Arts & Social Sciences > School of Arts & Media > Communication, Cultural & Media Studies Research Centre|
|Journal or Publication Title:||Journal of Visual Culture|
|Depositing User:||P Buse|
|Date Deposited:||28 Oct 2011 15:04|
|Last Modified:||28 Oct 2011 15:04|
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