Reading holocaust poetry: Genre, authority and identification
Boswell, MJ 2010, 'Reading holocaust poetry: Genre, authority and identification' , in: The Future of Memory , Berghahn.
This is the latest version of this item.
Restricted to Repository staff only
Download (61kB) | Request a copy
This article looks at the relationship between Holocaust testimony and fictional works of poetry written by non-victims, with particular attention to Geoffrey Hill's 'September Song'.
|Item Type:||Book Section|
|Uncontrolled Keywords:||Holocaust, literature, literary criticism|
|Themes:||Subjects / Themes > P Language and Literature > PR English literature|
Subjects / Themes > D History General and Old World > DD Germany
Memory, Text and Place
|Schools:||Colleges and Schools > College of Arts & Social Sciences > School of Humanities, Languages & Social Sciences > Centre for English Literature and Language|
|Journal or Publication Title:||The Future of Memory|
|Depositing User:||MJ Boswell|
|Date Deposited:||24 Aug 2012 11:06|
|Last Modified:||20 Aug 2013 18:30|
Available Versions of this Item
- Reading holocaust poetry: Genre, authority and identification. (deposited 26 Oct 2009 16:50)
- Reading holocaust poetry: Genre, authority and identification. (deposited 24 Aug 2012 11:06)[Currently Displayed]
Actions (login required)
|Edit record (repository staff only)|