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Resonances: noise and contemporary music

Halligan, B, Goddard, MN and Spelman, NJ, (eds.) 2013, Resonances: noise and contemporary music , Continuum, New York and London. (In Press)

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Abstract

Noise seems to stand for a lack of aesthetic grace, to alienate or distract rather than enrapture. And yet the drones of psychedelia, the racket of garage rock and punk, the thudding of rave, the feedback of shoegaze and post-rock, the bombast of thrash and metal, the clatter of jungle and the stuttering of electronica, together with notable examples of avant-garde noise art, have all found a place in the history of contemporary musics, and are recognised as representing key evolutionary moments. Noise therefore is the untold story of contemporary popular music, and in a critical exploration of noise lies the possibility of a new narrative – one that is wide-ranging, connects the popular to the underground and avant-garde, fully posits the studio as a musical instrument, and demands new critical and theoretical paradigms of those seeking to write about music. Resonances is a compelling collection of new essays by scholars, writers and musicians – all seeking to explore and enlighten this field of study.

Item Type: Book
Editors: Halligan, B, Goddard, MN and Spelman, NJ
Themes: Media, Digital Technology and the Creative Economy
Schools: Colleges and Schools > College of Arts & Social Sciences
Colleges and Schools > College of Arts & Social Sciences > School of Arts & Media > Communication, Cultural & Media Studies Research Centre
Colleges and Schools > College of Arts & Social Sciences > School of Arts & Media
Publisher: Continuum
Refereed: Yes
Funders: Non funded research
Depositing User: B Halligan
Date Deposited: 12 Nov 2012 15:41
Last Modified: 10 Jul 2014 10:48
URI: http://usir.salford.ac.uk/id/eprint/27287

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