Davies, WJ 2015, Cognition of soundscapes and other complex acoustic scenes , in: Internoise 2015, 9-12 August 2015, San Francisco.
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The fields of soundscapes, music cognition and audio quality have many similarities. Researchers in these areas are all dealing with perception and cognition of complex acoustic scenes. To date, there has been little cross-fertilisation between them. This paper examines some key concepts and results from soundscapes, music and audio. It is shown that perceptual dimensions, categories, and figure/ground play important roles in all three areas. The concept of the scale of the cognitive structure is introduced, building on results in music cognition. Scale refers to the way we can attend to the soundscape as a whole, or zoom in to a sound within it, or further in to a component or feature of that sound. It is suggested that scale links the models of perceptual dimensions, categories and auditory objects. The idea of scale is further used to suggest why the attention mechanism is so important in complex scenes, and why the concept of listening modes may be more simply explained as the consequences of attention. The paper concludes by speculating on the inherent cognitive apparatus applied to all complex scenes and suggests fruitful avenues for future research.
|Item Type:||Conference or Workshop Item (Paper)|
|Themes:||Built and Human Environment|
|Schools:||Schools > School of Computing, Science and Engineering > Salford Innovation Research Centre (SIRC)|
|Funders:||Non funded research|
|Depositing User:||Dr W. J. Davies|
|Date Deposited:||01 Sep 2015 17:20|
|Last Modified:||29 Oct 2015 00:23|
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