Whyton, T 2012, 'Europe and the new jazz studies' , in: Eurojazzland : Jazz and European Sources, Dynamics, and Contexts , Jazz / Music History & Criticism , Northeastern University Press, Boston, USA.
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Abstract
Publisher's description of book:
It is often said that jazz is America’s great gift to the world, but while true, this belies the surprising, often crucial role that Europe has played in the development and popularity of jazz throughout the world. Based on a series of symposia attracting leading scholars, critics, and musicians from throughout Europe and the United States, Eurojazzland first addresses the impact of European musical traditions and instruments on the formation and development of American jazz. Part two details the vital experiences of American musicians on European soil, from black minstrels to such jazz greats as Benny Carter and Duke Ellington, and deals with European jazzmen and their developments of American jazz styles. The final part chronicles the importance of European critics and musicologists in jazz criticism and offers essays on European contributions to jazz musicianship and production.
Eurojazzland proves that jazz is simply too rich and varied for one country to claim, define, or contain. This groundbreaking collection will appeal to jazz aficionados, scholars, musicologists, and musicians.
Item Type: | Book Section |
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Editors: | Cerchiari, L, Cugny, L and Kerschbaumer, F |
Themes: | Subjects outside of the University Themes |
Schools: | Schools > School of Arts & Media > Arts, Media and Communication Research Centre |
Publisher: | Northeastern University Press |
Refereed: | Yes |
Series Name: | Jazz / Music History & Criticism |
ISBN: | 9781584658641 |
Depositing User: | Users 29196 not found. |
Date Deposited: | 22 Dec 2011 11:19 |
Last Modified: | 16 Feb 2022 14:01 |
URI: | http://usir.salford.ac.uk/id/eprint/19283 |
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