Dispersed and dislocated: the construction of liveness in live intermedial performance

Scott, JE ORCID: https://orcid.org/0000-0003-4768-8175 2012, 'Dispersed and dislocated: the construction of liveness in live intermedial performance' , Body Space & Technology Journal, 11 (01) .

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This article focuses on an analysis of the live intermedial performance, The Mark of Affect. Using the theories of Philip Auslander (2008), Erika Fischer-Lichte (2008) and Roberta Mock (in Power 2008) as a starting point, three moments from the performance are analysed in relation to liveness; specifically, how it is constructed and manifests itself within this performance. In all cases, the combinations of live and mediatised acts are seen as creating hybrid forms of liveness, which exist both within and through the technology employed on stage.

Item Type: Article
Themes: Media, Digital Technology and the Creative Economy
Schools: Schools > School of Arts & Media > Arts, Media and Communication Research Centre
Journal or Publication Title: Body Space & Technology Journal
Publisher: Brunel University
Refereed: No
ISSN: 1470-9120
Related URLs:
Funders: Non funded research
Depositing User: Dr Joanne Scott
Date Deposited: 06 Mar 2015 12:15
Last Modified: 16 Feb 2022 16:17
URI: https://usir.salford.ac.uk/id/eprint/33623

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