Meikle, GT 2016, 'Examining the effects of experimental/academic electroacoustic and popular electronic musics on the evolution and development of human–computer interaction in music' , Contemporary Music Review, 35 (2) , pp. 224-241.
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Abstract
This article focuses on how the development of human–computer interaction in music has been aided and influenced by both experimental/academic electroacoustic art music and popular electronic music. These two genres have impacted upon this ever-changing process of evolution in different ways, but have together been paramount to the establishment of interactivity in music as we understand it today; which is itself having wide-ranging implications upon the modern-day musical landscape as a whole—both in the way that we, as listeners and audience members, purchase and consume music as well as conceptualise and think about it.
Item Type: | Article |
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Schools: | Schools > School of Arts & Media |
Journal or Publication Title: | Contemporary Music Review |
Publisher: | Taylor & Francis |
ISSN: | 0749-4467 |
Funders: | Arts and Humanities Research Council (AHRC) |
Depositing User: | GT Meikle |
Date Deposited: | 14 Dec 2016 09:47 |
Last Modified: | 15 Feb 2022 21:24 |
URI: | http://usir.salford.ac.uk/id/eprint/40745 |
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