Correia, A 2015, 'Gimpel Fils, Barbara Hepworth and the promotion of British sculpture in the 1950s' , Sculpture Journal, 24 (1) , pp. 97-112.
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Official URL: http://dx.doi.org/10.3828/sj.2015.24.1.7
Abstract
During the 1950s, the commercial art gallery Gimpel Fils, London, established itself as a prominent space for showing and selling contemporary art. This paper considers the gallery’s role in promoting sculpture during that decade and examines the organisation, display and reception of the Barbara Hepworth’s first exhibition at Gimpel Fils, in 1956, as a case study.
Item Type: | Article |
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Schools: | Schools > School of Arts & Media > Arts, Media and Communication Research Centre |
Journal or Publication Title: | Sculpture Journal |
Publisher: | University of Liverpool Press |
ISSN: | 1366-2724 |
Related URLs: | |
Depositing User: | Dr Alice Correia |
Date Deposited: | 13 Mar 2017 10:15 |
Last Modified: | 16 Feb 2022 18:17 |
URI: | https://usir.salford.ac.uk/id/eprint/41583 |
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