Nonhuman flow : audio-visual affects and the expressive potential of film

Prokopic, P ORCID: https://orcid.org/0000-0003-1428-6794 2021, 'Nonhuman flow : audio-visual affects and the expressive potential of film' , Sightlines: Filmmaking in the Academy, 3 .

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Abstract

Nonhuman Flow emerged from a wider AHRC-funded research in Affective Cinema, which seeks to experiment with and explore the unique expressive potential of film linked to its direct capturing of the real (light). This can give rise to affects: impersonal, undifferentiated-yet-singular, nonhuman sensations and feelings contained in the work, as opposed to the human world of meaning and language (Deleuze and Guattari 1994). The research synthesises various sources in film theory and philosophy, making them the guiding principle of the practice; this results in original works of film art, expands the understanding of the theory and leads to the development of innovatory film production techniques, such as the complex lighting experiments demonstrated in the visuals of Nonhuman Flow.

Item Type: Article
Schools: Schools > School of Arts & Media > Arts, Media and Communication Research Centre
Journal or Publication Title: Sightlines: Filmmaking in the Academy
Publisher: Australian Screen Production Education and Research Association
ISSN: 2653-1801
Related URLs:
Funders: Arts and Humanities Research Council (AHRC)
Depositing User: P Prokopic
Date Deposited: 15 Sep 2021 07:03
Last Modified: 15 Sep 2021 08:00
URI: http://usir.salford.ac.uk/id/eprint/61727

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