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L Nigri
Contact
Biography
My Most Viewed
My Latest
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Contact
Name:
L Nigri
Email:
L.Nigri@salford.ac.uk
Department:
School of Arts & Media
profile_image:
Biography
Job title:
Lecturer in Early Modern English Literature
My Most Viewed
#
Item title
1.
The origin of 'malcontent'
581
1
2.
“Lost in visual pleasure” : Charles Kean’s production of The Tempest
423
3.
Sceptical responses in early modern plays : from self-knowledge to self-doubt in Marston’s The Malcontent and Middleton’s The Revenger’s Tragedy
333
22
4.
‘Speaking the truth’ : on the power of words in Arden of Faversham
275
5
5.
'And I must now go wander like a Cain.’ A journey across early modern (under)worlds
271
6
6.
Silencing the natural body : notes on the monumental body in Romeo and Juliet
267
1
7.
Il figlio ‘negato’ nel teatro elisabettiano
263
2
8.
From the Peninsula westward: a journey among translations
246
265
9.
“. . .the ultimate cry of the failure of a human and wonderful project” : Strehler’s journey through ‘The tempest’.
235
10.
Il vortice dialogico nel teatro tragico di John Webster
189
2
My Latest
Nigri, L
ORCID: https://orcid.org/0000-0001-7005-9196
2020,
'“...a great crisis of identification and understanding of reality” : Strehler’s journey through Shakespeare'
, in:
Shakespeare and Crisis: An Italian Narrative
, Shakespeare in European Culture (2) , John Benjamins, pp. 149-174.
Nigri, L
ORCID: https://orcid.org/0000-0001-7005-9196
2019,
'“I have translated from the English”. Shakespeare in Eighteenth-Century Italy'
, Skenè. Journal of Theatre and Drama Studies,
5
(1) .
Nigri, L
ORCID: https://orcid.org/0000-0001-7005-9196
2018,
'Resisting, appropriating, and becoming the signs in Romeo and Juliet'
, in:
Authority, resistance, and woe. Romeo and Juliet and its afterlife
, Edizioni ETS.
Bergstrom, CR
ORCID: https://orcid.org/0000-0002-0990-6402
and
Nigri, L
ORCID: https://orcid.org/0000-0001-7005-9196
2018,
'Introduction to special issue on Webster'
, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews,
31
(2) , pp. 146-150.
Nigri, L
ORCID: https://orcid.org/0000-0001-7005-9196
2018,
'Malcontented agents : from the novellas to Much Ado about Nothing and The Duchess of Malfi'
, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews,
31
(3) , pp. 176-181.
Nigri, L
ORCID: https://orcid.org/0000-0001-7005-9196
and
Tsentourou, N
2017,
'Introduction to Forms of Hypocrisy'
, in:
Forms of hypocrisy in Early Modern England
, Routledge, New York, NY ; Abingdon, Oxon, pp. 1-14.
Nigri, L
ORCID: https://orcid.org/0000-0001-7005-9196
2017,
'Religious hypocrisy in performance : Roman Catholicism and the London stage'
, in:
Forms of hypocrisy in Early Modern England
, Routledge Studies in Renaissance Literature and Culture , Routledge, New York, NY ; Abingdon, Oxon, pp. 57-71.
Bigliazzi, S
and
Nigri, L
ORCID: https://orcid.org/0000-0001-7005-9196
2015,
'Silencing the natural body : notes on the monumental body in Romeo and Juliet'
, in:
Shakespeare, Romeo and Juliet, and Civic Life : the Boundaries of Civic Space
, Routledge Studies in Shakespeare (14) , Routledge, pp. 171-186.
Nigri, L
ORCID: https://orcid.org/0000-0001-7005-9196
2014,
'Sceptical responses in early modern plays : from self-knowledge to self-doubt in Marston’s The Malcontent and Middleton’s The Revenger’s Tragedy'
, English Literature,
1
(1) , pp. 117-130.
Nigri, L
ORCID: https://orcid.org/0000-0001-7005-9196
2014,
Review of Lindsay Kemp's Perché sei tu? (directed by Lindsay Kemp at Teatro Nuovo, Verona, 12 April 2013)
, Taylor & Francis.