Repository home
- Search
- Browse
  - Author
  - Division
  - Theme
  - Year
  - Funder
  - Journal
- Login
- - Repository Statistics
- Contact us
- Find out more

L Nigri

Contact
Biography
My Most Viewed
My Latest

[+][-]

Contact

Name:

L Nigri

Email:

L.Nigri@salford.ac.uk

Department:

School of Arts & Media

profile_image:

Biography

Job title:

Lecturer in Early Modern English Literature

My Most Viewed

	Item title
1.	“...a great crisis of identification and understanding of reality” : Strehler’s journey through Shakespeare	367	1
2.	Introduction to Forms of Hypocrisy	337	0
3.	Religious hypocrisy in performance : Roman Catholicism and the London stage	253	12
4.	Introduction to special issue on Webster	222	6
5.	Review of Lindsay Kemp's Perché sei tu? (directed by Lindsay Kemp at Teatro Nuovo, Verona, 12 April 2013)	207	1
6.	Malcontented agents : from the novellas to Much Ado about Nothing and The Duchess of Malfi	203	201
7.	“. . .the ultimate cry of the failure of a human and wonderful project” : Strehler’s journey through ‘The tempest’.	200	1
8.	“I have translated from the English”. Shakespeare in Eighteenth-Century Italy	198	4
9.	Resisting, appropriating, and becoming the signs in Romeo and Juliet	160	0
10.	Silencing the natural body : notes on the monumental body in Romeo and Juliet	137	1

My Latest

Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2020, '“...a great crisis of identification and understanding of reality” : Strehler’s journey through Shakespeare' , in: Shakespeare and Crisis: An Italian Narrative , Shakespeare in European Culture (2) , John Benjamins, pp. 149-174.
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2019, '“I have translated from the English”. Shakespeare in Eighteenth-Century Italy' , Skenè. Journal of Theatre and Drama Studies, 5 (1) .
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2018, 'Resisting, appropriating, and becoming the signs in Romeo and Juliet' , in: Authority, resistance, and woe. Romeo and Juliet and its afterlife , Edizioni ETS.
Bergstrom, CR ORCID: https://orcid.org/0000-0002-0990-6402 and Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2018, 'Introduction to special issue on Webster' , ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 31 (2) , pp. 146-150.
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2018, 'Malcontented agents : from the novellas to Much Ado about Nothing and The Duchess of Malfi' , ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 31 (3) , pp. 176-181.
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2017, 'Religious hypocrisy in performance : Roman Catholicism and the London stage' , in: Forms of hypocrisy in Early Modern England , Routledge, New York, NY ; Abingdon, Oxon, pp. 57-71.
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 and Tsentourou, N 2017, 'Introduction to Forms of Hypocrisy' , in: Forms of hypocrisy in Early Modern England , Routledge, New York, NY ; Abingdon, Oxon, pp. 1-14.
Bigliazzi, S and Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2015, 'Silencing the natural body : notes on the monumental body in Romeo and Juliet' , in: Shakespeare, Romeo and Juliet, and Civic Life : the Boundaries of Civic Space , Routledge Studies in Shakespeare , Routledge, pp. 171-186.
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2014, 'Sceptical responses in early modern plays : from self-knowledge to self-doubt in Marston’s The Malcontent and Middleton’s The Revenger’s Tragedy' , English Literature, 1 (1) , pp. 117-130.
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2014, Review of Lindsay Kemp's Perché sei tu? (directed by Lindsay Kemp at Teatro Nuovo, Verona, 12 April 2013) , Taylor & Francis.