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L Nigri

Contact
Biography
My Most Viewed
My Latest

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Contact

Name:

L Nigri

Email:

L.Nigri@salford.ac.uk

Department:

School of Arts & Media

profile_image:

Biography

Job title:

Lecturer in Early Modern English Literature

My Most Viewed

#	Item title
1.	The origin of 'malcontent'	486	1
2.	“Lost in visual pleasure” : Charles Kean’s production of The Tempest	404
3.	Sceptical responses in early modern plays : from self-knowledge to self-doubt in Marston’s The Malcontent and Middleton’s The Revenger’s Tragedy	309	13
4.	'And I must now go wander like a Cain.’ A journey across early modern (under)worlds	258	6
5.	‘Speaking the truth’: on the power of words in arden of Faversham	258	4
6.	Silencing the natural body : notes on the monumental body in Romeo and Juliet	248	1
7.	Il figlio ‘negato’ nel teatro elisabettiano	244	1
8.	From the Peninsula westward: a journey among translations	233	231
9.	“. . .the ultimate cry of the failure of a human and wonderful project” : Strehler’s journey through ‘The tempest’.	219
10.	Il vortice dialogico nel teatro tragico di John Webster	172	1

My Latest

Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2020, '“...a great crisis of identification and understanding of reality” : Strehler’s journey through Shakespeare' , in: Shakespeare and Crisis: An Italian Narrative , Shakespeare in European Culture (2) , John Benjamins, pp. 149-174.
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2019, '“I have translated from the English”. Shakespeare in Eighteenth-Century Italy' , Skenè. Journal of Theatre and Drama Studies, 5 (1) .
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2018, 'Resisting, appropriating, and becoming the signs in Romeo and Juliet' , in: Authority, resistance, and woe. Romeo and Juliet and its afterlife , Edizioni ETS.
Bergstrom, CR ORCID: https://orcid.org/0000-0002-0990-6402 and Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2018, 'Introduction to special issue on Webster' , ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 31 (2) , pp. 146-150.
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2018, 'Malcontented agents : from the novellas to Much Ado about Nothing and The Duchess of Malfi' , ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 31 (3) , pp. 176-181.
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 and Tsentourou, N 2017, 'Introduction to Forms of Hypocrisy' , in: Forms of hypocrisy in Early Modern England , Routledge, New York, NY ; Abingdon, Oxon, pp. 1-14.
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2017, 'Religious hypocrisy in performance : Roman Catholicism and the London stage' , in: Forms of hypocrisy in Early Modern England , Routledge Studies in Renaissance Literature and Culture , Routledge, New York, NY ; Abingdon, Oxon, pp. 57-71.
Bigliazzi, S and Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2015, 'Silencing the natural body : notes on the monumental body in Romeo and Juliet' , in: Shakespeare, Romeo and Juliet, and Civic Life : the Boundaries of Civic Space , Routledge Studies in Shakespeare (14) , Routledge, pp. 171-186.
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2014, 'Sceptical responses in early modern plays : from self-knowledge to self-doubt in Marston’s The Malcontent and Middleton’s The Revenger’s Tragedy' , English Literature, 1 (1) , pp. 117-130.
Nigri, L ORCID: https://orcid.org/0000-0001-7005-9196 2014, Review of Lindsay Kemp's Perché sei tu? (directed by Lindsay Kemp at Teatro Nuovo, Verona, 12 April 2013) , Taylor & Francis.