Items where Salford Author is "Willis, Andy"
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Number of items: 16.
|Halligan, B 2016, 'Tory erotica: The sexual fantasies of the British noveau riche in the 1970s' , in: From Smut to Softcore: Sex and 1970s World Cinema , Manchester University Press, Manchester. (Submitted)|
|Willis, ATJ and Chan, F 2014, 'British Chinese short films: Challenging the limits of the Sinophone' , in: Sinophone Cinemas , Palgrave Macmillan, Basingstoke, UK. Item not available from this repository.|
|Willis, ATJ and Leung, WF, (eds.) 2014, East asian film stars , Palgrave Macmillan, Basingstoke, UK. Item not available from this repository.|
|Willis, ATJ 2013, 'Amando de Ossario’s “bind dead” quartet and the cultural politics of Spanish horror' , in: Screening the Undead: Vampires and zombies in film and television , I B Tauris, London, pp. 233-248. Item not available from this repository.|
|Willis, ATJ 2013, 'Neo-Noir: The cultural significance (and insignificance) of a film style' , Film International, 11 (5) , pp. 31-37. Item not available from this repository.|
|Chan, Felicia and Willis, Andy 2012, 'Articulating British Chinese experiences on-screen: 'soursweet' and 'ping pong'' , Journal of Chinese Cinemas, 6 (1) , pp. 27-39. Item not available from this repository.|
|Willis, Andy 2012, 'Memory banks failing: 'Life on Mars' and the politics of re-imagining the police and the seventies' , in: Life on Mars: from Manchester to New York , University of Wales Press, Cardiff, pp. 57-69. Item not available from this repository.|
|Willis, Andy 2012, 'Paul Naschy, "Exorcismo" and the reactionary horrors of Spanish popular cinema in the early 1970s' , in: European nightmares: Horror cinema in Europe since 1946 , Columbia University Press, New York, pp. 121-131. Item not available from this repository.|
|Willis, A 2011, ''Painted skin': negotiating mainland china's fear of the supernatural' , Asian Cinema, 22 (1) , pp. 20-30. Item not available from this repository.|
|Willis, A 2010, 'Cinema curation as practice and research: the Visible Secrets project as a model for collaboration between art cinemas and academics' , Screen, 51 (2) , pp. 161-167.|
|Willis, Andy and Lee, CP 2009, 'The lost world of Twemlow and Kent-Watson: Mancunian exploitation film in the 1980s and 1990s' , Journal of British Cinema and Television, 6 (1) , pp. 58-72.|
|Willis, Andrew 2009, 'More than simply cowboys, naked virgins, werewolves and vampires? The transatlantic cinema of Leon Klimovsky' , in: Latsploitation, Exploitation Cinemas, and latin America , Routledge, New York, pp. 129-141.|
|Willis, A and Perks, S 2009, 'Special edition devoted to Hong Kong cinema since 1997' , Film International, 7 (4) .|
|Willis, A 2008, 'Jim Allen: radical drama beyond 'days of hope'' , Journal of British Cinema and Television, 5 (2) , pp. 300-317.|
|Buse, P, Triana-Toribio, N and Willis, A 2004, 'A popular Spanish auteur: Alex de la Iglesia as a polemical tool' , New Cinemas: Journal of Contemporary Film, 2 (3) , pp. 139-148.|
|Buse, P, Triana-toribio, N and Willis, A 2004, 'Este no es juego, es Accion Mutante: The provocations of Alex de la Iglesia' , Journal of Iberian and Latin American Studies, 10 (1) , pp. 9-22. Item not available from this repository.|
This list was generated on Wed Mar 4 12:48:46 2015 GMT.