Items where Division is "Colleges and Schools > College of Arts & Social Sciences > School of Arts & Media > Performance Research Centre"
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Number of items at this level: 12.
|Biscaya, VN and Tah, HM 2007, 'A literature review on information coordination in construction' , Proceedings of the Seventh International Postgraduate Research Conference in the Built and Human Environment , pp. 192-198.|
|Fairhurst, E and Slee, SM 2012, ''The hive in the cliff: A case study in intergenerational relations'' , Journal of Intergenerational Relationships, 10 (3) , pp. 246-260.|
|King, B and Talbot, RJ 2014, 'Clowns do ethnography: An experiment in long-distance comic failure' , Comedy Studies, 5 (1) , pp. 64-77.|
|Oliver, ML 2008, 'The emancipating possibilities of performing with cartoons' , International Journal of Performing Arts and Digital Media, 4 (1) , pp. 59-67.|
|Oliver, ML 2012, 'me-but-not-me: Teaching the digital double' , International Journal of Performing Arts and Digital Media, 8 (2) , pp. 185-200.|
|Peters, L and Brown, G 2010, Bell in the ball [Audio].|
|Roberts, D and Talbot, R 2011, Learning to act like a nurse , in: Education in a Changing Environment (ECE) 6th International Conference : Creativity and Engagement in Higher Education, 6 - 8 July 2011, The University of Salford, Greater Manchester, UK.|
|Slee, SM, Bowker, SL, Hamilton, A and Wilkie, T 2010, The hive in the cliff: an innovative case study for culturally led, cross-sector approaches to sustainable socio-economical development , in: Regional Studies Association Annual International Conference 2010, 29-31 May 2010, Pecs, Hungary. (Unpublished)|
|Talbot, R 2010, Mr Goodwin [Performance].|
|Talbot, R and Andrews, N 2011, 'Triangle’s immersive museum theatre: performativity, historical interpretation and research in role' , in: Performing heritage : research, practice and innovation in museum theatre and live interpretation , Manchester University Press, Manchester, UK.|
|Talbot, RJ 2013, 'Devising ridiculusmus’ total football: A schematic reading of performance process.' , Studies in Theatre and Performance . (Submitted)|
|Whyton, Tony 2007, 'Four for Trane: Jazz and the disembodied voice' , Jazz Perspectives, 1 (2) , pp. 115-132.|