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ATJ Willis

Contact
Biography
My Most Viewed
My Latest

[+][-]

Contact

Name:

ATJ Willis

Email:

A.Willis@salford.ac.uk

Department:

School of Arts & Media

profile_image:

Biography

Expertise:

Popular European cinema, Film distribution and exhibition, Spanish cinema, Hong Kong cinema, British television drama

Job title:

Reader in Film Studies

Qualifications:

BA (Hons) Film and Drama (Bulmershe College/Reading University) MA Cultural Studies (Thames Valley University) PhD Film Studies (Nottingham University)

My Most Viewed

#	Item title
1.	Amando de Ossario’s “bind dead” quartet and the cultural politics of Spanish horror	1420
2.	Christianity, controversy, cinema	716
3.	More than simply cowboys, naked virgins, werewolves and vampires? The transatlantic cinema of Leon Klimovsky	693	4
4.	Burgess and cinema	617
5.	A popular Spanish auteur: Alex de la Iglesia as a polemical tool	606	1574
6.	Neo-Noir: The cultural significance (and insignificance) of a film style	455
7.	The cinema of Alex de la Iglesia	440
8.	Jim Allen : radical drama beyond 'days of hope'	408	1359
9.	Este no es juego, es Accion Mutante: The provocations of Alex de la Iglesia	371
10.	Film stars: Hollywood and beyond	370

My Latest

Chan, F and Willis, ATJ ORCID: https://orcid.org/0000-0002-9428-4643 2018, 'British Chinese cinema and the struggle for recognition, even on the margins' , in: Contesting British Chinese Culture , Palgrave, pp. 151-167.
Chan, F and Willis, ATJ ORCID: https://orcid.org/0000-0002-9428-4643 2018, 'Manchester’s Chinese arts centre : a case study in strategic intervention' , in: Contesting British Chinese Culture , Palgrave, pp. 101-116.
Willis, ATJ ORCID: https://orcid.org/0000-0002-9428-4643 2018, 'Before and after the awful Dr Orloff : rethinking an early career “respectable” Jess Franco' , in: The Films of Jess Franco , Wayne State University Press, Detroit, USA, pp. 41-63.
Willis, ATJ ORCID: https://orcid.org/0000-0002-9428-4643 2018, 'From killer snakes to taxi hunters : Hong Kong horror in an exploitation context' , in: Hong Kong Horror Cinema , Edinburgh University Press, Edinburgh, UK, pp. 52-63.
Chan, F and Willis, ATJ ORCID: https://orcid.org/0000-0002-9428-4643 2017, 'Interventions on cultural margins : the case of the Chinese Film Forum UK and the presence of Taiwan cinema in the UK' , in: Taiwan Cinema: International Reception and Social Change , Routledge, pp. 80-91.
Willis, ATJ ORCID: https://orcid.org/0000-0002-9428-4643 2017, 'An icon rises from the grave : the 21st century cult stardom of Paul Naschy' , in: Tracing the Borders of Spanish Horror Cinema and Television , Routledge (Taylor & Francis), New York.
Fairclough, K ORCID: https://orcid.org/0000-0002-1773-5826 and Willis, ATJ ORCID: https://orcid.org/0000-0002-9428-4643 2017, 'Steven Spielberg and the rise of the celebrity film director' , in: A Companion to Steven Spielberg , Wiley, pp. 466-478.
Pal, S and Willis, ATJ ORCID: https://orcid.org/0000-0002-9428-4643 2017, 'North Square, New Street Law and Outlaws : class and race in recent northern legal television drama' , in: Heading North: The North of England in Film and Television , Palgrave, pp. 173-192.
Willis, ATJ ORCID: https://orcid.org/0000-0002-9428-4643 2017, 'The cultural politics of re-making Spanish horror films in the twenty-first century : Quarantine and Come Out and Play' , in: Transnational Film Remakes , Traditions in World Cinema , Edinburgh University Press, Edinburgh, pp. 54-65.
Willis, ATJ ORCID: https://orcid.org/0000-0002-9428-4643 2016, ''Crossing Hennessy', 'Big Blue Lake' and 'Flowing Stories': Re-centring the local in recent Hong Kong Cinema' , in: Chinese Cinemas : International Perspectives , Routledge, pp. 84-95.